Tamron makes some very good alternatives, with 16-300mm and 18-400mm options that go considerably wider and longer, respectively.
What's more, it's super cheap, too.Ĭanon’s own-brand EF-S 18-200mm superzoom lens is pretty ancient and lacking in telephoto reach.
Although f/2.8 isn't a super fast aperture, image quality is excellent and it's a charming little prime lens for travelling light. Teeny tiny and extremely lightweight, this 'pancake' lens is less than an inch in length and only weighs 125g. Great-value option: Canon EF-S 24mm f/2.8 STM Further good news is that the front element neither extends nor rotates during focusing. Meanwhile, autofocusing is fast due to the rear-focusing mechanism that drives the smaller, rear elements of the lens via a ring-type ultrasonic system. Sharpness is impressively good, even at the widest available aperture.
All full frame canon cameras notdlsr iso#
You get fast shutter speeds in low light without needing to boost your ISO settings, but you also get a nice and tight depth of field. It's also one of Sigma's 'Art' class lenses, meaning that you get a beautiful construction, as well as a fast f/1.4 aperture. It delivers impressive image quality and comes at a bargain price.Ĭanon's 1.6x crop factor makes this Sigma 30mm equivalent to around 48mm - that's pretty close to the classic 50mm focal length beloved by many. While it doesn't have the f/2.8 constant option of the Canon, f/2.8-4 is still fairly wide. This third-party option is fairly compact and lightweight. Great-value option: Sigma 17-70mm f/2.8-4 DC Macro OS HSM | C You pay a price for these great specs though, with it being the most expensive standard zoom for APS-C format Canon cameras - still if you need something versatile for everyday usage, it's a great option. There's also a range of enthusiast-friendly features such as ring-type ultrasonic autofocus and a focus distance scale beneath a viewing window. This classic zoom lens is the only one on the list to feature a fast and constant (meaning that it's available through the whole zoom range) f/2.8 aperture, making it great for creating shallow depth of field effects and shooting in low light. While the camera bodies of 10 years ago might look outdated nowadays, that's less of a problem with lenses where designs don't change quite so rapidly. This lens is now more than a decade old, but don't let that stop you from considering it. As well as outright winners in each category, we’ve included some best-value alternatives if you're on a tighter budget. However, third-party lenses from the likes of Sigma and Tamron often give similar or even better performance than own-brand Canon lenses, and at more competitive prices.įor this piece, we put all of the main contenders in the various categories through their paces with rigorous lab testing and shooting in a variety of different 'real-world' scenarios.įrom those results, here are the best-buy lenses for your Canon APS-C camera body. If you’ve got a Canon camera, it might seem sensible to use Canon lenses. We’ve put all of the main contenders through their paces with rigorous lab testing and shooting in all manner of ‘real-world’ scenarios Canon or third party? The classifications used by Sigma are DC (APS-C) and DG (full-frame) and for Tamron it’s Di-II (APS-C) and Di (full-frame). There are no problems using EF lenses on APS-C format cameras, but you can’t use an EF-S lens on a full-frame DSLR. The EF-S variant was launched in 2003, to suit Canon DSLRs with smaller, APS-C image sensors (such as the 90D). Find out more about how we test.īefore we start, it’s worth getting the designations of lenses clear at this point.Ĭanon’s EF (Electro-Focus) lens mount dates back to 1987 and the 35mm film era.
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